CALIPTRA

Deep exploration and research work in the field of photographic composition, poetry, musical production, and the photo book that seeks to vindicate the intrinsic intelligence of our rooted cultural and personal ces and analogized to with nature itself.

Through this work, demonstrates how the flourishing creative and personal can arise through acute perception of our senses. The view delights with the visual richness of the I photographed conceptual, while taste, smell, touch, and heard submerge themselves in a world of sensations and energetic vibrations. Each sense plays a crucial role in interpretation and appreciation of art, allowing a complete and enveloping experience.

This work is not only an exhibition in artistic sticking, but also a sensory journey that invites viewers to connect with their environment and themselves in a deeper and meaningful way. I use visual poetry as tools to foster this connection, creating a space where art and sensory experience intertwine in a harmonious way.

In this project we navigate the deep world of roots, starting from a question: What is the process like before hatching?

By finding in the answer a similarity between the process that occurs in the roots of plants before their growth and flowering, with the process of transformation and observation of human beings, an infinite and metaphorical parallelism is created where I search through This link expands the senses and creates the union between the elements, nature and humans.

The answer to this question through the investigation of tropisms (natural biological phenomena that indicate growth or directional change in response to an environmental “STIMULUS”).

This denotes that the sensory responses to which the apex of the root (La calyptra) is immersed should not be the result of chance, nor is it the case with humans.

The decision to undertake the journey or search for transformation is a decision to find that balance that I call. FLOWERING.

This apex area where CALIPTRA is located is the first layer that covers the root, directing its movements, orientations and responses according to the conditions of the environment where it is located.

Using an entire system that we can call “senses”, the same as we have, although diffused throughout your body.

Sight, taste, smell, touch or hearing. This similarity shows that the individual who begins with the meticulous work of observing himself does, like the roots, search the depth of the dark soil to find the CALIPTRA that covers it, in other words, we use our most acute senses to go to the act of flowering, being a process where the same root needs to receive information that seems favorable or that creates a distance (rejection) vibrations, music, people, places...

How are our visual stimuli? Taste? Smell? Our touch with ourselves and with others? What do we tell ourselves? What do we hear? What makes us vibrate?

The answer is a wide range because life itself is a stimulus.
The process of finding the root, of the baptism of the snake, of the elongation that transmutes and finally of flowering, lies in one thing, the now, Well, we are the ones responsible for the path to flourishing.

We are complementary energies, a “circulatory” system that transports SAP, the life-giving element.